A Pentatonix Christmas’ handsome sales, along with small declines in SEA and TEA (down 12 and 10 percent, respectively), helps keep the album ahead of the No. 2 set on the Billboard 200, The Weeknd’s former No. 1 Starboy. The latter climbs one rung with 94,000 units (down only 7 percent).

Norah Jones collects her sixth top 10 effort, as Day Breaks bows at No. 2 with 47,000 units (44,000 in traditional album sales). Her last solo studio album, 2012’s Little Broken Hearts, launched at No. 2 with 110,000 copies sold. Day Breaks also enters at No. 1 on the Jazz Albums chart, giving the artist her second leader on the tally. She was last atop the list back in 2004, when her debut effort Come Away With Me wrapped a run of 115 nonconsecutive weeks at No. 1.

Views earned 53,000 equivalent album units in the week ending Sept. 22, according to Nielsen Music.

Mumford & Sons’ Babel was the last set to take a longer break from No. 1, when it was absent from the top slot for 17 weeks. Babel debuted atop the list dated Oct. 13, 2012, and then spent the next two weeks at No. 1 (Oct. 20 and 27-dated lists). It moved out of the No. 1 slot for the next 17 weeks, and then hopped back to No. 1 on the March 2, 2013 chart, following its Grammy Award win for album of the year. It then spent another frame at No. 1 on March 9.

Views has the longest run at No. 1 on the Billboard 200 since the Frozen soundtrack also spent 13 nonconsecutive weeks at No. 1 in 2014 (Jan. 18-May 17).

Her newest leader extends her record for the most No. 1 albums among women, and ties her with Bruce Springsteen for the third-most among all acts. The only artists with more No. 1s are The Beatles, with a record 19 chart-toppers, and Jay Z, with 13.

Among women, Streisand outpaces Madonna, the runner-up with eight Billboard 200 No. 1s.

Encore was released on Aug. 26 through Columbia Records, and starts with 149,000 equivalent album units earned in the week ending Sept. 1, according to Nielsen Music. That’s a stronger-than-expected launch for the set, which was forecast by industry sources to start in the No. 2 slot, behind Florida Georgia Line’s new Dig Your Roots. The latter album enters in the runner-up position, with 145,000 units.

Further, Streisand surpasses her own record for the longest span between No. 1s on the Billboard 200. Encore arrives 51 years, 10 months and 17 days after her first No. 1, People, spent its initial week at No. 1 (Oct. 31, 1964). People ruled the tally for five consecutive weeks. Streisand previously set the record for the longest span between No. 1s when she topped the chart in 2014 with Partners — 49 years, 11 months and 14 days after People.

Pop diva Britney Spears collects her 10th top five Billboard 200 album, as her latest studio effort, Glory, enters at No. 3 (111,000 units; 88,000 in traditional album sales). Spears’ last studio set, 2013’s Britney Jean, debuted and peaked at No. 4 with 107,000 sold. The new album was led by the single “Make Me,” featuring G-Eazy, which has so far peaked at No. 17 on the Billboard Hot 100 and No. 20 on the Pop Songs airplay chart.

Of Blonde’s start of 276,000 units, 232,000 were in traditional album sales, while the rest were SEA (44,000 units).

Only two albums started bigger than Blonde in 2016: Drake’s Views (1.04 million units earned in its debut frame) and Beyonce’s Lemonade (653,000). Blonde also logs the third-biggest sales start — behind, again, just Views (852,000 copies sold in its first week) and Lemonade (485,000).

The songs on the Blonde album generated 65.4 million streams during the week. It was the second-most streamed album on the chart, behind only Drake’s Views, with 67.5 million streams.

Suicide Squad earned 93,000 equivalent album units in the week ending Aug. 18, according to Nielsen Music (down 49 percent), with 50,000 of that sum comprised of traditional album sales (down 61 percent).